The project utilizes various artistic mediums such as video and sculptural installations to reexamine archival materials related to slavery with the ultimate aim of amplifying the voices of the enslaved and their descendants.
Earlier this fall, Sewanee: University of the South, unveiled its new exhibit Woven Wind. The project utilizes various artistic mediums such as photography, video, and sculptural installations to reexamine archival materials related to slavery with the ultimate aim of amplifying the voices of the enslaved and their descendants.
Mélisande Short-Colomb, Lab Community Engagement Associate, has a deep personal connection to the themes explored in the Woven Wind project. Descending from two families enslaved and sold by the Society of Jesus in 1838 to support Georgetown University’s solvency, her unique journey led her to become a student at the age of 63,
following the discovery of her connection to the institution. This experience inspired her performance in Here I Am, which delved into her complex relationship with the institution that enslaved her ancestors. Driven by this profound connection, Colomb led a workshop for Woven Wind which explored the oral histories of the Toles family, considering the question of reparations, and contributing to the recognition and honor of their experiences and voices.
The Lab takes immense pride in supporting Mélisande’s work. Initiatives like these, which delve into history, collective memory, and community engagement, offer opportunities for better mutual understanding and positive change.
Below you can read more about the creation of the Woven Wind exhibit and see images from the collection:
By Dr. Shelley MacLaren, Sewanee University Art Gallery director and curator of academic engagement
